CV/Resumé
Barry is an Oscar and BAFTA nominated director usually, but not exclusively, working with animation. He has animated on and directed many series for television such as The Wind in the Willows, Rupert Bear, and most recently, Bob the Builder. He has worked in significant roles on such feature films as Mars Attacks and King Kong, and directed over 60 commercials and titles sequences, including an upcoming campaign for Marketing Manchester.
His own, very theatrical, and often controversial, films have won more than sixty awards around the world, and many festivals have held retrospectives. These films are Next, (the complete works of Shakespeare in five minutes); Screen Play (the Willow Pattern story told through Kabuki), a version of Verdi’s Rigoletto, Achilles (a very adult retelling of the Iliad), Gilbert and Sullivan, (using their words and music to retell of their stormy relationship) and Hamilton Mattress (a film about an aardvark’s attempt to survive in the corrupt world of showbiz!). These films have been released on a compilation DVD called Barry Purves – his intimate lives. The films are known for their innovation, passions, elegance, lush visuals and fresh interpretations of familiar subjects.
Barry’s first book, ‘Stop Motion – passion process performance’ was released last year, by Focal Press, and is doing very well. Using animation as a catalyst, it looks at the creative process of many media. A second book, Animation Basics – Stop motion will be released in early 2010 by AVA Publishing, and will be aimed at students and first time animators.
Away from film Barry works in theatre when he can, this being another true passion. In the last few years he has directed and designed ‘The Importance of Being Earnest’, ‘The Turn of the Screw’, Jekyll and Hyde’, several Ayckbourns, ‘la cage Aux Folles’, ‘The Ritz’, ‘Habeas Corpus’, Ronald Harwood’s ‘Quartet’, the farce ‘ Don’t Dress for Dinner’ as well as designing a huge panto, Aladdin, for Peterborough. Recently he designed ‘A Man for all seasons’ a new musical by Mal Pope, ‘Cappuccino Girls’, and ‘Murder Mystery Musical’ for the Edinburgh Festival this year, which received several 5 star reviews.
Barry teaches and gives master classes at studios and colleges all over the world, including running regular courses at the National Film and Television School and the National Film school of Italy (animation department) and is often on festival juries, judging or curating screenings. This year Barry has given workshops all round the UK as well as in Italy, France, Morocco, and Argentina.
Barry has also taught ‘writing for Performance’ at Manchester University, where he was originally a drama student. His own play, written with Emil Wolk, ‘The Eight Wonder’ may hopefully get produced. This looks at the making of the original King Kong through the eyes of Ginger Rogers and Fay Wray. A second play treatment, Handel and Lewis, has just been written for Liverpool Scenic Workshops – this involves a young opera loving boy and a live 25 foot robot. Several other feature film treatments and play ideas are being written.
Barry’s films are discussed at length in many books, including those written by Ray Harryhausen, Clare Kitson and Paul Wells, as well as being studied on most animation courses.
2008- Designing ALADDIN for Downtown Productions at the Broadway Theatre in Peterborough, Christmas.
- Jury member at Cartoons on the Bay and Annecy
- Taught at various colleges including the NFTS, and a course at the National Film School of Italy, in Turin.
- My five films, Next, Screen Play, Rigoletto, Achilles, Gilbert and Sullivan, and Hamilton Mattress will be released on DVD, under the title of Barry Purves – his intimate lives.
- Directed and designed THE IMPORTANCE OF BEING EARNEST, and designed LA CAGE AUX FOLLES. Directed one act play ROSE COTTAGE
- Looking for publishers for second book, PERFORMING ANIMALS
2007
- STOP MOTION – PASSION PROCESS PERFORMANCE – a personal book on animation, the creative process, published on December 1st 2007
- 52 episodes of RUPERT BEAR finished in September 2007
- Ran an animation course at the film school in Turin
- Directed and designed HABEAS CORPUS on stage
2006
- Ran a stop motion training scheme for Cosgrove Hall films, training three animators.
- Co-presented SUPER GIRLS (the live ‘Pop Idol’ final in China)
- Started directing RUPERT BEAR – Follow the Magic, a 52 part animated series for Cosgrove Hall, Channel 5 and Entertainment Rights. Writing storylines for most of the episodes
- Script advisor on NIGHT OF THE HELL HAMSTERS, a short film Directed by Paul Campion
- Ran some animation workshops with children in Buenos Aires
- Directed and designed Henry James’ TURN OF THE SCREW on stage, designed JEKYLL AND HYDE, the musical
2005
- Was involved with script development and as co-director, on IBCinema’s stop-motion feature LINKO KILLER MACHINE, before project stalled.
- Directed and designed Alan Ayckbourn’s SNAKE IN THE GRASS
- Taught ‘Writing for Performance’ course at Manchester University resulting in performance of six plays, written by the students and myself, suggested by Van Eycks’ Arnolfini portrait; ‘SKETCHES FOR A MARRIAGE’
- Animator at Cosgrove Hall on POSTMAN PAT, FIFI AND THE FLOWERTOTS, LITTLE ROBOTS
- Animation workshops and courses in Belgium, Finland, Argentina, and the UK
- Several short films and feature scripts written and in development.
2004
- Animator at Cosgrove Hall on POSTMAN PAT, FIFI AND THE FLOWERTOTS
- Wrote the play ‘THE EIGHTH WONDER’ about the original King Kong
- Wrote feature treatment of THE LITTLE PRINCE for Pathe
- Animation workshops round the world and the UK.
2003
- KING KONG - Universal
Previz Animation Director in New Zealand - Directed and designed Terence McNally’s THE RITZ
2002
- Animator at Cosgrove Hall on their ongoing puppet series, and much teaching in the UK and around the world. Gave classes at Dreamworks, PDI, and Rochester, USA.
- Directed and designed Ayckbourn’s COMMUNICATING DOORS for the Altrincham Garrick
2000 — 2001
- HAMILTON MATTRESS - BBC1
a 30 minute Christmas special for BBC – Director
1998
- GILBERT & SULLIVAN - THE VERY MODELS
16 minute film for Channel 4
1996 — 2000
- Animator at Cosgrove Hall as well as running training schemes for animators and directors
BRAMBLY HEDGE, LAVENDER CASTLE, NODDY, ANIMAL SHELF, ROTTEN RALPH, FETCH THE VET, BILL AND BEN, and ANDY PANDY - THE GREEKS - A three act ballet scenario written for Northern Dance Theatre
- Also much teaching around the world.
1995
- MARS ATTACKS!
Tim Burton Productions/Warner Brothers - original stop motion animation director. - ACHILLES
Bare Boards/Channel Four - Director, writer, and animator
1993
- RIGOLETTO
Bare Boards/Welsh National Opera/S4C/BBC2 - Director, writer, and animator
1992
- SCREEN PLAY
Bare Boards/Channel Four - Director, writer, and animator
1992 — 1998
- Director of Bare Boards Productions, with Glenn Holberton, producing several dozen commercials, title sequences, as well as short films.
1989
- NEXT
- Aardman Animations/Channel Four 1989 - Director, writer, animator
Filmed whilst with Aardman for two years, doing commercials and pilots.
1978 — 1986
- CHORLTON AND THE WHEELIES, CAPTAIN KREMMEN, LINES AND SHAPES, GRANDMA BRICKS, COCKELSHELL BAY, CINDERELLA, THE PIED PIPER OF HAMELIN, DANGERMOUSE, THE WIND IN THE WILLOWS
- Cosgrove Hall Productions/Thames TV - Director and Animator
1976 — 1978
- My early career was in stage management as well as some time as an actor. Theatres worked at include seasons at The Royal Exchange Manchester (1976), The Marlowe Canterbury (1978), Pitlochry Festival theatre (1977), as well as tours of musicals. Also worked with visiting companies such as the RSC, WNO, and the NT.
1973 — 1976
- Manchester University - BA Hons in Drama, with Greek Civilization